There has been some talk recently concerning expectations encouraged by The Artist’s Way and the failure of synchronicity to meet our day-to-day needs for such vital necessities adequate as food, clothing, and shelter. That is, doing what we love does not guarantee that the money will follow.
This is a truth. What we produce as we do what we love will not always find an audience or buying public. It is the same problem as with looking for great literature among the thousands of titles of self-published books. Even the best work can be overlooked or buried in the flood of dross. It doesn’t mean that my or your work isn’t any good. It may simply not have found its audience or the group of buyers who really want or need what we create. Or…it may simply be undifferentiated from other products or not so creative or attractive as we had thought or hoped.
Perhaps the true benefit of doing what we love and letting the money follow may be that doing so broadens our horizons, our experience, and our willingness to embrace new ideas and paths and possibilities. Yesterday I picked up the 2010 edition of Richard Bolles’ book What Color Is Your Parachute, in which he laid out possible courses of action for recent college graduates who simply cannot find a job in the current job market, or who were last hired and first fired when the bottom fell out of the economy before they had the chance to gain enough on-the-job experience to make them desirable to prospective employers in the midst of economic uncertainties and dismal mid-term forecasts.
Find a temporary job doing anything, he suggested, even something you hate, so that you can continue to eat. If possible and you are on good terms with family, move back home, so that you can save some money working that temporary job and be better able financially to take advantage of an opportunity for something better when it does come along. Thanks to Barack Obama’s (hopefully ongoing) healthcare reforms, young people can stay on their parents’ health insurance policies longer. Bolles also suggested checking out alternative sources of insurance including Freelancers Union (of which I am a member, still, I believe).
I think that this is good advice. I somewhat regret for myself and for some others I know that physical roadblocks prevent following this advice as fully as we might like or as completely as survival might suggest as prudent.
The core that I see in this, though, is that there are many different venues in which our unique creative flairs can be of benefit and in which we can settle in for a little while to gain new skills, form additional networks, and taste of new outlets for our creative urges and new and different expressions of artistic expression and ingenuity. There are as many ways to give back to this world as there are ways in which people can receive and thrive upon what we can offer them.
For example, I can write poems that inspire and short stories that entertain and essays that provide encouragement. What other means are at my disposal to inspire, entertain, and encourage the people around me? In the course of my day, I can listen to the people with whom I come into contact, offering respect, attention, and honest, positive responses. Because a common thread among creative activities is the identification, portrayal, and sharing of beauty and of what is up-building for others.
So, I may not be building skyscrapers or writing million-dollar best sellers, but I can interact with people in the course of doing my work, encouraging them to recognize, explore, expand and employ their own talents and abilities. A different sort of writing…a different sort of creativity, but just as enjoyable as finding a publisher for a favorite essay or poem. Not recognized as artistic, but still a utilization of my creativity and a worthwhile application of my artistic skills.